• Course
  • Daniel You-Ren Yang
  • Deena Weinstein
  • Theresa Martinez
• Treatise
  • Simon Frith
  • Peter Wicke
  • John Shepherd
  • Georgina Born
  • Howard S. Becker
  • Christopher Small
  • Daniel You-Ren Yang
  • Henkjan Honing
• Wikipedia
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The document backup in case the following links fail.

• Sociology of Rock ‘n’ Roll
  • 2019 ver.
  • 2013 ver.

• Sociology of Rock Music
• Examining (the Social Construction of ) Rock Bands

• Sociology of Rock and Roll

• Bennett, T., Frith, S., Grossberg, L., Shepherd, J., & Turner, G. (Eds.). (2005). Rock and popular music: politics, policies, institutions. Routledge.
• Frith, S. (2001). The Cambridge companion to pop and rock. Cambridge University Press.
• Frith, S. (1998). Performing rites: On the value of popular music. Harvard University Press.
• Frith, S., Goodwin, A., & Grossberg, L. (Eds.). (1993). Sound and Vision: The Music Video Reader. Psychology Press.
• Goodwin, A., & Frith, S. (Eds.). (1990). On record: Rock, pop, and the written word. Routledge.
• Frith, S. (1987). Towards an aesthetic of popular music. Music and society: The politics of composition, performance and reception, 133-49.

• Wicke, P. (1990). Rock music: Culture, aesthetics and sociology. Cambridge University Press.

• Shepherd, J. (2017). Whose Music?: Sociology of Musical Languages. Routledge.
• Shepherd, J, & Devine, K. (Eds.). (2015). The Routledge Reader on the Sociology of Music. Routledge.

• Born, G., Lewis, E., & Straw, W. (Eds.). (2017). Improvisation and social aesthetics. Duke University Press.
• Born, G. (Ed.). (2013). Music, sound and space: Transformations of public and private experience. Cambridge University Press.
• Born, G. (2013). On music and politics: Henry Cow, avant-gardism and its discontents. _ Proceedings of the British Academy_, 185, 55-64.
• Born, G., & Hesmondhalgh, D. (Eds.). (2000). Western music and its others: Difference, representation, and appropriation in music. Univ of California Press.

• Bennett, A., & Peterson, R. A. (Eds.). (2004). Music scenes: local, translocal and virtual. Vanderbilt University Press.
  • Jazz Places

• Small, C. (1998). Musicking: The meanings of performing and listening. Wesleyan University Press.

• Yang, Y. R., & Chang, C. H. (2014). A preliminary exploration of the issue-mobilization oriented concert in Taiwan: The cases of the “Justice for All” and “Music, Life, Under the Tree”. Social Analysis, (8), 117-149.

• Honing, H. (2006). On the growing role of observation, formalization and experimental method in musicology. Empirical Musicology Review, (1).

• Social effects of rock music
• Sociomusicology
• Psychoanalysis and music
• Category: Sociomusicologists

• Music and Wellbeing – a sociological perspective – Musicalist